What is white balance? CLICK HERE.
A vid here. CLICK HERE.
11 March 2016
PROJ #7: DIRECT SIDE LIGHT
DIRECTIONS: Make 12+ images that have direct side light illuminating your subject. Move the light slightly (or reposition your subject) between photos so that you have a variety of shadow in the final group of photos. Have your person vary her/his expression.
Using a human as your subject matter, position a strong direct light to the side of your subject. The light should produce a strong shadow on half or part of the face. There may be a cast shadow away from your subject.
1. Do not use flash.
2. Set the camera to the aperture priority setting ("A"). Set your aperture WIDE open if you want a small sliver of focus (w/background out of focus). Close the aperture smaller if you want everything to be in focus.
3. Set your ISO to as low as you can set it WHILE STILL keeping a shutter speed that is 1/60th or faster, otherwise you will capture your own body-shake.
4. Focus on the part of the face you want in focus, and make your photographs.
DIRECT SIDE LIGHT has:
Student photograph |
1. Do not use flash.
2. Set the camera to the aperture priority setting ("A"). Set your aperture WIDE open if you want a small sliver of focus (w/background out of focus). Close the aperture smaller if you want everything to be in focus.
4. Focus on the part of the face you want in focus, and make your photographs.
5. Move the light source (or repositioning the subject) between photos so that each photograph has a unique shadow/highlight from the previous photographs.
DIRECT SIDE LIGHT has:
1. Obvious and distinctly dark shadow.
2. Obvious direction from where the light is emanating (you can tell that the light is coming from only one distinct source).
07 March 2016
PROJ #6: SILHOUETTES (8+ due next class)
DIRECTIONS: Make 8+ different and creative silhouette photographs. Due: next class period.
To create the silhouette effect, you must meter/measure (CLICK HERE) the light/exposure for the background (the brightest part of the image) and completely under expose the foreground subject.
When first learning silhouette photography sunrise and sunset are good times to practice because the sun can be positioned directly behind the subject you wish to underexpose. (CLICK HERE for a good link).
Silhouettes at The Atlantic. CLICK HERE.
Tips for killer silhouette photography. CLICK HERE.
50 examples. CLICK HERE.
How to photograph silhouettes. CLICK HERE.
Another how-to. CLICK HERE.
To create the silhouette effect, you must meter/measure (CLICK HERE) the light/exposure for the background (the brightest part of the image) and completely under expose the foreground subject.
When first learning silhouette photography sunrise and sunset are good times to practice because the sun can be positioned directly behind the subject you wish to underexpose. (CLICK HERE for a good link).
Silhouettes at The Atlantic. CLICK HERE.
Tips for killer silhouette photography. CLICK HERE.
50 examples. CLICK HERE.
How to photograph silhouettes. CLICK HERE.
Another how-to. CLICK HERE.
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